Writing Love Scenes from Real Life by Diane Gaston
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When reading I often skip love scenes that primarily describe in great detail the physical steps a hero and heroine are taking to achieve bliss. My favorite love scenes are the ones that recreate the feeling of new love or of love restored or love that-looks-like-it-will-be-lost. I want to be inside the character's heads, feeling what they feel. The actual placement of body parts during the scene is less important to me.
This is what you can take from real life--the feelings of the experience.
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Your real life gives you this information. The challenge is, you need to find fresh words to describe the experience and not rely on the hundreds of love scenes you've read in other romance novels. If you call up your own feelings and think about your own experiences, you will start in a unique place. Once there, you can think about how it would be for your characters. Starting with yourself, though, gives your prose a better chance of being unique.
Someone is going to say, "Not all of us who love reading and writing romance have had those kinds of experiences. What are we supposed to do?"
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Someone else is going to say, "But I count on getting those feelings from the romance books I read, but you said don't use other romance novels...."
What I mean is, don't copy or mimic the words of the other writer, start from your reaction to the words, your fantasy about the characters, your feelings, and go from there.
It is entirely permissible to exaggerate your real life experiences. Or to idealize them. Give fantasy a free rein to go beyond your own world of experiences. We all know that our real life experiences rarely look, sound, and act like larger-than-life fictional ones, but they are the place to start.
What do you think makes a good love scene in a romance novel? What are your tips to keep the writing fresh?
Visit Diane's website to learn about her April Undone, The Unlacing of Miss Leigh, and her April Novella, Justine and the Noble Viscount, in The Diamonds of Welbourne Manor.
Diane also blogs every Monday at Risky Regencies
Labels: 5 senses, How to Write, love scenes
9 Comments:
I must say Mary Balogh does this so well! I always end up in tears at some point reading her books and it's because she captures the emotion of the moment and the deepest feelings of the h/h. I was re-reading Slightly Tempted last night and she did this very thing. The love scenes are not so much erotic as a touching of the hearts.
Can you tell I'm totally excited about her new release, First Comes Marriage, tomorrow? :)
Congrats on your Undone, Diane, and The Diamonds of Welbourne Manor sounds wonderful.
Susan Wiggs. Emotional involvement all the way. Not as much on the page as in your heart.
I love a book that uses great dialogue and a little comic relief before or during a love scene. Susan E. Philips does this well. Terry McLaughlin writes great dialogue/banter. The unexpected is fun like when Terry's beta hero pretty much cleared the kitchen table with a swipe of the hand and gave the heroine a great kiss, unexpected and thoroughly enjoyable.
Thanks for the thoughtful post, Diane!
Gillian, I need to catch up on my Mary Balogh. She is who I want to be when I grow up!
Terry and Theresa, I can't argue with Susan Wiggs and Terry McLaughlin either!
Great thinking, Diane! You're getting down to the universal core, the parts of our emotions people have in common. When I read a love scene that pulls these same feelings out of me, it's almost overwhelming. I'm happy with extremely sensual love scenes as long as they grasp and use the universal emotions. If not, it's just waving body parts.
I have to agree about Mary Balogh's love scenes. I love the emotional progression of a love scene. In fact, someone we know well writes a magnificently emotional love scene at the beginning of The Mysterious Miss M. There was nothing tawdry about that scene and the emotional connection just took my breath away.
Lisa Kleypas does the same thing in Devil in Winter the first time Evie and Sebastian make love. The jaded rake is completely blow away by his first encounter with his virginal wife.
I love a good funny love scene too. In fact my hero and heroine's wedding night in Lost in Love starts with him kissing her, seducing her and then promptly tripping over a footstool. He has a tendency to fall over or down and get hurt whenever he is near her.
I think the love scenes that mean the most are the ones where the hero and heroine learn something about each other and about themselves.
Oh, Louisa, I am so glad you liked that love scene between Maddie and Devlin! You totally got what I was trying to say!
Louisa,
I love the humorous touches, too! Lost in Love sounds like a winner.
Thanks for the comments, Theresa and Diane. Mmwaaa :-)!
Ah, Mary Balogh. Happy, happy sigh :-).
Terry hit the main point: emotion. That's why I read love stories, and I certainly want that element in the love scenes, too ;-)!
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