Three Tips for a Sizzling Love Scene by Karen Anders

We're delighted to have Blaze author Karen Anders with us today. Karen and I were long-time critique partners (still are, sometimes) and I vouch for the fact that she can make a Love Scene Sizzle! Karen's TENTH Blaze will be on book shelves March 1. Up Close and Dangerously Sexy receives a Harlequin Series Spotlight for March, in honor of Harlequin's Diamond Anniversary. Listen to this lady. She knows what she's talking about! Diane

Use the five senses
Storytelling involves description and it’s an integral part. If we do it well, the reader can place themselves right there in the story: “The surging waves warred with the blackness of the ruby-smudged twilight.” Or simply, “fire-engine red.” But descriptions are only part of the story. Immerse your reader into the story by using the five senses (touch, sound, taste, smell, as well as sight) in your fiction, your story will come alive for the reader.


Don’t Make it About Body Parts
Sex is a physical act, but people with emotions, moods, and thoughts are involved. Where he puts his hand and where she puts her lips are important as it gives the reader an intimate view into the couple’s life. But, when writing love scenes, try to keep the emphasis on the relationship and the characters. The characters should go into the love scene in a vulnerable state. They’re risking their heart here and it should be emotional. They may think it’s only sex, but we as authors and readers know that it’s so much more. Use the conflict that you’ve built to generate doubts so that your characters have a richer love scene. Your characters will seem more human if they worry about taking that step or if they take that step too lightly. Show how they feel without just relying on the obvious physical signs, because it's not just their bodies that are involved.

Sex is Part of the Plot
Even thought your characters get together because all romance characters get together, you need to use that scene to further your plot. Something can be discovered during it. The scene can show a character something that’s important to the story. Make it meaningful and not gratuitous because that’s part of the genre formula. Before writing a love scene, ask yourself what changes in the story that’s crucial to the plot.

I’d like to thank the fabulous Diane Gaston and the rest of the posse for having me.

Now it's your turn. What do you think makes a love scene sizzle? What POV do you like better in a love scene--hero or heroine?
Up Close and Dangerously Sexy, Book #1, Undercover Lovers Miniseries, Blaze, 3/09
"Surf's Up" in the Endless Summer Anthology w/ Julie Kenner & Jill Monroe, Blaze, 7/09
Dangerous Curves, Blaze, Book #2, Undercover Lovers Miniseries, 10/09
Wanted (wt), Blaze, Book #3, Undercover Lovers Miniseries, 4/10
www.karenanders.com (New Launch Now!)

Labels: Blaze, Karen Anders, love scenes

posted by Diane Gaston @ 12:05 AM 16 comments

Writing Love Scenes from Real Life by Diane Gaston

I'm not going to tell you about MY real life love scenes. Or provide instructions on what-to-do with your real life partner. This blog is not about what happens in the fictional love scene. It is about how it feels.

When reading I often skip love scenes that primarily describe in great detail the physical steps a hero and heroine are taking to achieve bliss. My favorite love scenes are the ones that recreate the feeling of new love or of love restored or love that-looks-like-it-will-be-lost. I want to be inside the character's heads, feeling what they feel. The actual placement of body parts during the scene is less important to me.

This is what you can take from real life--the feelings of the experience.

Think back upon that time of first love or new love. The thrill of seeing your "hero." Think about what it felt like to meet his eyes for the first time or the first touch, the first kiss. Try to bring it all back and think about how your body felt. Was your heart racing? Were you out of breath? Or did you just feel giddy. What was sound like during that experience? Did it muffle or did it become clear and crystaline? Did your skin turn warm at a touch or did you get goosebumps all over? What kind of emotional thoughts went through your mind? This is the man I want to marry perhaps? Or This can't be true? How did your hero smell? Do you remember? Do you remember any time that a smell was associated with your real life love scene? A taste? Think about all your senses (sight, sound, smell, touch, taste) and use as many as you can in the love scene.

Your real life gives you this information. The challenge is, you need to find fresh words to describe the experience and not rely on the hundreds of love scenes you've read in other romance novels. If you call up your own feelings and think about your own experiences, you will start in a unique place. Once there, you can think about how it would be for your characters. Starting with yourself, though, gives your prose a better chance of being unique.

Someone is going to say, "Not all of us who love reading and writing romance have had those kinds of experiences. What are we supposed to do?"

Even if life has not dealt you that deck of cards, you are still in the game. I'm willing to bet that all of us who love reading romance have conjured up those kinds of feelings somewhere. Maybe fantasizing about a TV or movie star (Gerard Butler. Need I say more?) or a boy at school or a man who rides the same bus to work. I'm willing to bet we've conjured up those feelings from fantasizing about somebody.

Someone else is going to say, "But I count on getting those feelings from the romance books I read, but you said don't use other romance novels...."

What I mean is, don't copy or mimic the words of the other writer, start from your reaction to the words, your fantasy about the characters, your feelings, and go from there.

It is entirely permissible to exaggerate your real life experiences. Or to idealize them. Give fantasy a free rein to go beyond your own world of experiences. We all know that our real life experiences rarely look, sound, and act like larger-than-life fictional ones, but they are the place to start.

What do you think makes a good love scene in a romance novel? What are your tips to keep the writing fresh?

Visit Diane's website to learn about her April Undone, The Unlacing of Miss Leigh, and her April Novella, Justine and the Noble Viscount, in The Diamonds of Welbourne Manor.
Diane also blogs every Monday at Risky Regencies

Labels: 5 senses, How to Write, love scenes

posted by Diane Gaston @ 12:26 AM 9 comments